Translating and publishing French theatre in China
نویسندگان
چکیده
This article examines transformations in the literary translation environment People’s Republic of China (PRC) specifically relation to French-language theatre. After an initial survey PRC from its foundation present, studies how plays have been translated and adapted for publication. In particular, it considers French theatre has occupied a favoured position Chinese system over past four decades. It then focuses on three emblematic cases, those Molière, Jean-Paul Sartre, Samuel Beckett. Regarding latter, two translations En attendant Godot/Waiting Godot will be examined determine contextual factors affected choices. this way, seeks both contribute current discussions ‘translatability’ consider reception canonical writers system. Published Open Access under CC-BY licence: https://creativecommons.org/licenses/by/4.0/
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ژورنال
عنوان ژورنال: Francosphe?res (Print)
سال: 2021
ISSN: ['2046-3839', '2046-3820']
DOI: https://doi.org/10.3828/franc.2021.16